But ’Star Wars’ exhibit should be so much more

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Star Wars: The Magic of Myth," the new exhibit at the Brooklyn Museum of Art, may make most museum-goers feel ill at ease. The objects on display - models, costumes and storyboards from the four "Star Wars" films that have been released to date - are, for the most part, not the conventional stuff of art exhibits.

So the museum chooses not to treat them as pieces of art.

Instead of profiling the artists involved in creating the pieces - their training, where they lived, what materials they used - the exhibit text chooses to deconstruct the narrative of the films.

To set these artifacts in the context of the wider world of art history, the Brooklyn Museum has created an entrance to the "Star Wars" show called, "The Myth of the Hero and Heroine," which is meant to examine how diverse cultures throughout history have explored many of the universal, mythic themes presented in the "Star Wars" films. There’s an ancient marble head of Cleopatra VII and Porter Blake screenprints for "Alice in Wonderland" as examples of early heroines.

While these seemed surprising choices for the heroines who preceded Princess Leia, I was impressed by the Museum’s inclusion of a wood Pandanus Club from Melanesia, Fiji Islands. The club, according to the exhibition notes, was the inspiration for the Tusken Raiders’ weapon, the gaderffi sticks, in "Star Wars," which is on display a few rooms away. The islanders believed the club had a supernatural force, a "mana," which would strengthen with each success in battle. This was a wonderful insight into the film, into this weapon and into the islanders’ culture.

It set me up for disappointment.

When looking at the first "Star Wars" film artifact, the 10-foot production model, the "Imperial Star Destroyer," there appears to be a coffee stain on its top - as if someone rescued this child’s model from their garage and decided to put it under glass. There is no noticeable placard listing the materials used in making the model or giving credit to an artist.

The triangular shape of the destroyer can be admired for its original design, but really it is a trigger for the memory of the scene in the film when it made its appearance. It seems that in "Star Wars: The Magic of Myth," the artist who really deserves the kudos is filmmaker George Lucas, because with lighting and film, he made this model look like an enormous monolith moving through the black starry night of a galaxy far away. Alone, the model seems rather lackluster.

This theme is repeated when looking at the costumes on display. There’s Princess Leia’s "Slave Girl" costume from "Return of the Jedi." The purplish skirt that billowed in the desert scene as she and her cohorts escaped from the huge slug-like Jabba the Hutt creature looks cheap and chintzy. What appears stunning on film, here loses its glamour when seen up close - and without the form of actress Carrie Fisher.

While some models, such as Anakin Skywalker’s miniature "Podracer" from the most recent film "Star Wars: Episode I - The Phantom Menace" and the lifesize Imperial Speeder Bike (akin to a motorcycle) might excite racing car buffs and Harley enthusiasts, most of the costumes and models appear, well, fake and pointless without the magic of lights, camera and action.

The Asian-inspired Queen Amidala costume, worn by actress Natalie Portman in the Galactic Senate scene in "Phantom Menace," stands apart for its high-quality fabrics, detailing and original design. From the orange, iridescent, pleated dress to the cape of red, embroidered velvet, it’s a lush vision of opulence. Here, "Queen Concept drawings" give credit to Iain McCaig, but who crafted the costume?

I had preconceived notions that this show might break down the art of special effects and computer animation, showcase the creatures of "Star Wars" or display more such exquisite costumes. The less-than-popular character Jar Jar Binks of "Phantom Menace" was an actor-less character created and animated using computers; it would have been interesting to see an exhibit about this new digital artform of which Lucas is a master.

"Star Wars: The Magic of Myth," developed by the Smithsonian’s National Air and Space Museum and organized for travel by the Smithsonian Institution Traveling Exhibition Service, had so many possibilities.

The show could have displayed all of the glorious creatures from the "Star Wars" films. (I’m not the first to think of this - there’s a "Star Wars" book in the gift shop called "Guide to Wildlife and Aliens.") In this exhibit, the highlights include the small Jabba the Hutt and Yoda models, and while these characters are the most well-known, there were so many more creatures in the films that could have been featured.

Exhibit designer Matthew Yokobosky dedicated one entire alcove to "Yoda," evoking the swamp scene in "Empire Strikes Back" by painting the space green and running cords from the floor to the ceiling, giving the effect of elongated swamp grass. It is a triumph of exhibition design, trumped only by "Yoda" himself, a humorous sculpture of a wizened, lizard-like creature in a tattered Eastern robe.

Nearby, the concept drawings, by Ralph McQuarrie, demonstrate how the idea of Yoda became more beneficent - ears pointy to ears folding over, lips softened and around his eyes, laugh lines added. This model is displayed so the visitor can walk around it and notice his hunched back - like a victim of osteoarthritis. His frayed robe is akin to a wise, elderly man’s cardigan. In this alcove, there is also a film clip of Yoda in action in "Empire Strikes Back."

I expected more of this substance - seeing the artistic process through sketches and models.

Both "droids" C-3P0 and R2-D2 stand up to close scrutiny as does Darth Vader’s costume - it’s just as black and impenetrable as in the films, but the tall, brown-fur Chewbacca costume and crouching white-fur Wampa Ice Creature costume are cheaply crafted in a stuffed-animal (with sharp teeth) sort of way.

Another theme for the show might have been how, through visual cues, Lucas manipulated viewers’ emotions. The designers made Luke’s flight suit by using elements of the American Navy’s orange jumpsuits. The uniforms of the Imperial Officers have the black boots and mandarin collars of Nazi uniforms. It’s clear from these visual cues who are the good guys and who are the bad guys.

Han Solo’s costume incorporates elements of Western movie costumes. His gun sits in a holster on his hip. Clearly Han Solo is the renegade living outside the law. Unfortunately, this information about the designers’ inspiration - and how it relates to characters’ roles in the film - is not made available to exhibit visitors.

The comic book-like storyboards - some drawings, some watercolor - do give valuable insight to the visitor, as it’s amazing to see how much goes into a storyboard: from the characters in the scene to the camera angle.

This is the last U.S. stop of this traveling exhibit of some of the artifacts, all on loan from the archives of Lucasfilm Ltd., from the making of Lucas’ original "Star Wars" (1977), "The Empire Strikes Back" (1980), "Return of the Jedi" (1983) and "The Phantom Menace" (1999). A space has been reserved in the show for artifacts from "Star Wars: Episode II - Attack of the Clones," which will be installed after that film is released in May.

"Star Wars: The Magic of Myth" is an exhibit that is sure to draw tri-state fans of the movie - as was evidenced by the appearance of fans in costume at the exhibit’s media preview. But then, the museum is hoping this exhibit will attract a whole new audience who may not have visited before and might return to see other shows. If that’s the museum’s intention, the emphasis should be placed on the artists and less on the pieces’ roles in the movies from which they came. As an art lover - and movie lover - I expected, and wanted, more substance.


"Star Wars: The Magic of Myth" is on display at the Brooklyn Museum of Art (200 Eastern Parkway) through July 7. For tickets ($10, $8 seniors and students, $4 children) call (866) 606-R2D2. The audio tour is $5, $3 children ages 6­12.

All four films will be screened at the museum: "The Phantom Menace" on April 20 at 10 am and 3 pm; "Star Wars" on April 20 at 12:30 pm and 5:30 pm; "The Empire Strikes Back" on April 27 at 10 am and 3 pm; and "Return of the Jedi" on April 27 at 12:30 pm and 5:30 pm. Admission to each film is $6, $3 students and seniors, $2 children under 12. Museum admission is complimentary with film ticket purchase.

For more information, call (718) 638-5000 or visit the Web site,

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Reasonable discourse

Padme says:
i love ahsoka rock awesome movies
Sept. 1, 2009, 9:46 pm

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