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All in the family: Brooklyn Family Theatre's 2005-2006 season kicks off Sept. 10 with a performance of "The Music Hall Revusical."

Mary Ruth Goodley, who heads the Gallery
Players’ selection committee, says it’s always "about the
work." This season "the work" includes dramas,
comedies and musicals – with many tackling controversial topics.




"What appeals to Gallery Players is doing plays that not
everybody else will do," she told GO Brooklyn. As an example,
Goodley said, "We try to do three very different musicals
every season."



The first play of this season, "The Laramie Project,"
by Moises Kaufman and the members of the Tectonic Theater Project,
is decidedly not a musical. It is a theatrical collage that explains
the 1998 murder of a 21-year-old gay college student who was
savagely beaten and left to die tied to a fence in Laramie, Wyoming.




Faithfully transcribed from some 200 hours of interviews, police
records and court testimony collected over six trips to Laramie,
"The Laramie Project" is an attempt to understand how
and why such a heinous crime could have been committed. The play
premiered in Feb. 2000 at the Denver Center Theater, close enough
to Laramie for many of the people who lived in that sleepy college
town to come see the play. In May 2000, "The Laramie Project"
moved to the Union Square Theater, in Manhattan, and six months
later the production went to Laramie. In 2002, the Sundance Film
Festival screened the world premiere of the HBO film version.



Neal Freeman directs the Gallery Players production, which runs
Sept. 10-25 at its Park Slope theater.



Since that time there has been some controversy over whether
the murder really was a hate crime, as was thought at first,
or the result of a robbery.



"We weren’t certain we still wanted to do it," says
Goodley. "But then we decided, yes, we like controversy."




"The Fantasticks," which ran from May 3, 1960 to Jan.
13, 2002, is considered the longest running musical in the world,
but according to Goodley, "You’d be surprised how many people
haven’t seen it." This season many of those people will
at last have the opportunity to see Tom Jones’ (book and lyrics)
and Harvey Schmidt’s (music) masterpiece.



Dominic Cuskern will direct the Gallery Players’ production of
this all-time favorite about the triumph of love over life’s
vicissitudes, which features such standards as "Try to Remember"
and "Soon It’s Gonna Rain."



"It’s a simple, sweet musical. It appeals to the family,"
says Goodley. But the Gallery Players will have a short run of
it – Oct. 15 through Nov. 6, so save the date.



The third play of the season, Christopher Durang’s "The
Marriage of Bette and Boo," is the story of a quintessentially
dysfunctional marriage – the playwright concedes that his absurdly
funny and sad play is based on the marriage of his own parents
– told in 33 mostly quick scenes.



Joseph Papp first presented the show at the New York Shakespeare
Festival on May 16, 1985, and since then it has been considered
Durang’s best work. The Gallery Players’ "Marriage of Bette
and Boo" will run Nov. 26 through Dec. 11.



"[It] is a dark comedy," says Goodley. "That’s
the funniest of comedies if it’s well done. Heather [Curran]
is directing, and I’m not worried at all."



These days we seem to be in the midst of a spate of "As
You Like It" productions. Back in January The Royal Bath
Theater presented the play, directed by Peter Hall, at the Brooklyn
Academy of Music in Fort Greene, and most recently the Brooklyn
Theatre Arts Project staged the play in Bay Ridge.



Neal Freeman will direct the Gallery Players’ Jan. 14-29 production,
of Shakespeare’s sylvan comedy in which four couples eventually
unite in love.



Goodley says that for awhile the committee was torn between "Blood
Brothers," a musical about twins who are separated at birth,
and "Side Show," a musical based on the true story
of Violet and Daisy Hilton, a set of conjoined twins who were
connected for life.



"We discussed back and forth and finally decided to do ’Side
Show,’" says Goodley, although the Players have yet to choose
a director to helm the ’Show’ which runs Feb. 18 through March
12. "It’s a little more risky and groups like ours generally
don’t do it."



First produced at the Richard Rodgers Theater in 1997, "Side
Show," with a book and lyrics by Bill Russell and music
by Harry Krieger, ran for 91 performances and earned four Tony
nominations including one for Best Musical.



Goodley says that "Take Me Out" was "about the
first play everyone wanted." As the recipient of the 2003
Tony Award for Best Play and a nominee for the 2003 Pulitzer
Prize for Drama, "Take Me Out" was certainly a desirable
choice and Goodley says the Gallery Players went through considerable
lengths – such as sending reviews and articles – to convince
playwright Richard Greenberg’s agent to allow them the rights.



"Take Me Out," which will be directed by Matt Schicker
April 1-16, is about what happens when a star baseball player
goes public with his homosexuality at a press conference.



"Everyone had seen [’Take Me Out’] and loved it" says
Goodley. "It’s different, and it’s good for us."



The last revival of the season is "Once on This Island,"
a musical with book and lyrics by Lynn Ahrens and music by Stephen
Flaherty. This twist on the traditional "Little Mermaid"
tale tells the story of Ti Moune, a peasant girl, who falls in
love with Daniel, an upper class boy whose life she saves after
a car crash.



Set in the French Antilles, the show reflects the myths and music
of its Caribbean roots. It first opened on Broadway in 1990 and
ran for 489 performances.



Goodley says that the big question with "Once on This Island"
was "are we going to get the talent?" because the play
uses ethnic actors who don’t typically audition for the Gallery
Players. But after some discussion the committee decided "this
is something we would like to do more of" and proceeded
with the musical, which will be directed by Steven Smeltzer,
May 6-28.



If the Gallery Players chooses plays that involve some risk,
it’s to a great extent the result of an open-minded policy on
the part of the selection committee.



"Gratuitous sex or foul language for the sake of it might
not work for us," says Goodley. "But if the play has
a good storyline and something to say, I can’t think there’s
anything that would stop us."



Brooklyn Family Theatre



Brooklyn Family Theatre’s fifth season presents new and classic
plays that are appropriate and entertaining for the entire family.




The excitement begins with a one-night-only production of "The
Music Hall Revusical," an original musical with book, music
and lyrics by Brooklyn Family Theatre co-founder Phill Greenland.
Originally intended as a fundraiser for Jay Entertainment Music
Society, "The Music Hall Revusical" is returning to
Brooklyn after being developed and workshopped during what Greenland
calls a "theatrical adventure in the Adirondacks."



"’Revusical’ was something we created from scratch,"
says Greenland, who will direct the show. "Our audience
and people in this community wanted it to be performed in Brooklyn."



The Sept. 10 show re-creates an evening in a British music hall
in the year 1905 and features 11 actual music hall songs from
the era and an additional 11 written by Greenland.



The second show of the season (Oct. 28-Nov. 20) is a classic
version of an old favorite – the Royal Shakespeare Company’s
"The Wizard of Oz."



"I wanted to do something that was bigger and that’s become
part of American mythology," says Greenland.



"There was a great deal of music and material not in the
film because the movie could only be so long," Greenland
explains. "The Scarecrow’s song [’If I Only Had a Brain’],
the Tin Man’s song [’If I Only Had a Heart’] and the Cowardly
Lion’s song [’If I Only Had the Nerve’] are all longer."



The BFT production, directed by Jonathan Valuckas, will also
include an introductory verse to "Over the Rainbow"
and the entire "Jitterbug," which Greenland says is
"largely a dance piece Dorothy and her three friends perform
in the forest right in front of the witch’s castle. The jitterbugs
are crazy monsters in the forest."



On March 10, and continuing through April 2, BFT returns to the
world of Charlie Brown with "Snoopy The Musical," directed
by Greenland.



"In the spring we usually do a smaller more ensemble-based
production," Greenland told GO Brooklyn. "We had so
much fun with [’You’re a Good Man Charlie Brown’ during the 2003-2004
season] we figured let’s go do ’Snoopy.’"



With a book by Charles M. Schulz Creative Associates, music by
Larry Grossman and lyrics by Hal Hackady, the show opened at
the off-Broadway Lamb Theatre in 1982. When it was produced in
London, more songs were added, and this is the version Greenland
says "we’re going to be able to get a hold of."



"Snoopy, The Musical" is a 90-minute romp through the
Peanuts world as seen through canine eyes. There’s the dramatic
vigil to see the Great Pumpkin, Lucy’s psychiatric booth, a visit
from the Easter Beagle, a book report on Edgar Allen Poe, Linus
without his blanket on wash day and Woodstock falling in love
with a worm.

 

A season’s subscription to the Gallery
Players 2005-2006 season, which begins with "The Laramie
Project" Sept. 10-25, is $90; single tickets are $15, $12
children under age 12 and seniors. The Gallery Players theater
is located at 199 14th St., between Fourth and Fifth avenues,
in Park Slope. For more information, call (718) 595-0547 or visit
the Web site at www.galleryplayers.com.



Brooklyn Family Theatre performs at the Church of Gethsemane,
1012 Eighth Ave. at 10th Street in Park Slope beginning with
"The Music Hall Revusical" on Sept. 10 at 7 pm. Tickets
are $12. For more information, call (718) 670-7205 or visit www.brooklynfamilytheatre.com.


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